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Strelka Institute in December 2009. © Sergei Leontiev

Strelka is a post-graduate institute dedicated to developing new perspectives on critical issues in contemporary Russia.

At its campus in Moscow, Strelka brings together architects, intellectuals, designers and media professionals in a relationship of creative interdisciplinarity. Each year, the institute’s researchers explore a selection of subjects of particular importance to Russian life – from the preservation of cities and the dispersal of populations to the future of energy and virtual space. At the end of each six-month research cycle, the Institute broadcasts its work in partnership with a network of publishing, television, web, mobile, and advertising organizations. Strelka operates as a non-profit, tuition-free foundation, independent of both state and free market pressures, providing a haven for inquiry and experimentation, and a crucial new platform for addressing Russian issues inside Russia and out.

The Strelka Institute’s Educational strategy is founded on a principle of “thinking and doing”. Because it is independent and unrestricted by the bounds of formal accreditation, Strelka’s work can be focused on practical application and production. Instead of a receiving a degree, its researchers generate their own products, media works that evolve from their studies and add critical new perspectives to current discussions. These works are not prototypes but fully realized expressions that are released to the public in partnership with prominent Russian media organizations, such as Afisha publishing, Yota mobile technology, Channel One, and the LiveJournal blogging service. By interweaving research and application, Strelka strives to expand the possibilities of education, architecture, media and design.

Strelka Institute in July 2010. © Sergei Leontiev

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education



© Sergei Leontiev

The Strelka Institute’s yearly activities are divided into three parts.

Research at the Institute is organized into six-month cycles which run from January to July. Prior to the start of each cycle, all new researchers participate in a two-month warm-up conference that introduces the year’s research themes and provides a set of research and production methodologies. The atmosphere throughout the warm-up period is rigorous and social. Researchers are encouraged to get to know one another and to explore Moscow. The conference is structured by a programme of lectures, workshops, and salons, exposing the participants to international educational and professional thinking. It culminates in an eight-day field trip where the researchers apply the previous weeks’ lessons to create original expressions on one of the year’s research subjects.

Following a winter recess, researchers are distributed into the five research themes, based on their stated preferences and an evaluation by the themes’ instructors. Over the course of the next six months, researchers explore the themes through academic and field investigations, interviews, consultations and analysis. Throughout this process, the work is guided by a theme Initiator who provides the overall framework for the research, a project Supervisor who oversees its execution, and local Mentors who help translate the work into a media product. The generation of research and application occur in tandem, each reinforcing and inspiring the other.

On three occasions during the six-month research cycle, all five themes are reviewed by the Educational Committee of Strelka’s Board of Initiators. During these sessions research teams must present and defend their work. At the end of the term, a final review is held after which the teams make improvements to their work in order to prepare it for dissemination through the Russian media. Strelka will release the final products of the research themes over the course of its summer programme.

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summer at strelka

From the 18th of May till the 28th of September, 2012, Strelka Institute will for the third time host its open programme Summer at Strelka.

Summer at Strelka is a series of educational and cultural events in which everybody can take part. For three and a half months, numerous lectures, conferences, seminars and master classes devoted to the future of media, design, architecture and urbanism will take place at Strelka. In the summers of 2010 and 2011, the institute welcomed, among many others, the director of the London Museum Deyan Sudzhich, the architects Alejandro Aravena, Kazuyo Sejima, and Winy Maas, the designers Thomas Heatherwick and Jurgen Bey, and many others. Some of the seminars and discussions were prepared in collaboration with the Bartlette Architecture School (University College London), London's Royal College of Art, and the Hong Kong Polytechnic University.

In addition to educational activities, the summer of 2012 will bring film screenings, theatre performances, weekend fairs, and concerts to Strelka’s courtyard. Last summer, Ariel Pink's Haunted Graffiti, Midnight Juggernauts and many others performed at Strelka; the Praktika theatre did two performances, and the Lambada flea market and LavkaLavka’s farmers market set up shop.

More detailed information on the next Summer at Strelka will appear on our website in February 2012. Video recordings of lectures and discussions of previous summers can be found here.

We are open to cooperation and welcome event proposals for next summer. Please send your ideas of lectures, workshops and other events to the programme director Katya Girshina at more@strelkainstitute.com.

 

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alumni

In the academic year of 2010-2011, the first 33 students worked on research projects within the bounds of one of five themes: Preservation, Energy, Thinning, Design, and Public Space. The process was curated by 15 tutors and resulted in research products of various formats, ranging from a documentary to a performance. In late June 2011, the research projects were presented to the public. 

Strelka’s president Ilya Oskolkov-Tsentsiper explains the essence of education at the institute: 

«I think that the main objective of a year at Strelka Institute is to take on tasks that are so significant, complicated and ambitious that you can hardly come across them in real life. However, when finally you find a solution to this or that absolute problem, you can then apply it to easier, more down-to-earth, more commercial problems. This is what education at Strelka is based on».

In 2011, the following people graduated from Strelka Institute:

Alena LaninaAnastasia AlbokrinovaAnastasia ChernyshovaAndrei GoncharovAnna ButenkoAnna ShevchenkoAnna TrapkovaAnton IvanovDaria NuzhnayaDaria ParamonovaDaria SyuzevaDenis LeontievEvgenia NedosekinaGleb VitkovIvan KuryachiyIvan SolominJezi StankevichKarina BunyatovaKuba SnopekMaria GulievaMerve YucelMinkoo KangNaina GuptaNatalia ZaychenkoOleg SemakinOlga KhokhlovaPavel GeichenkoSergey ShoshinShi YangTamara MuradovaVictoria KudryavtsevaXenia MakarovaYefim Freidine

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bar

© Sergei Leontiev

Bar Strelka is a project of the Strelka Institute for Media, Architecture and Design. It aims to be an example of a comfortable urban space, creating a platform for informal socializing.

The guests are offered a wide range of beverages and an international menu created by the chefs Nathan Dallimore and Natalie Horsting. At weekends, one can listen to DJs or an antique J. Becker piano. In summertime, there is a rooftop terrace with a unique view of the Moscow River and Christ the Savior Cathedral.

All the bar’s profits go to support the Strelka Institute.

From Monday till Friday the bar is open from 9 a.m, at weekends—from 12 p.m. On Mondays, Tuesdays, Wednesdays, Thursdays, and Sundays we close at midnight, while on Fridays and Saturdays the parties go on until 5 a.m. the next day.

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Daria Nuzhnaya, Strelka graduate, 24 years old, architect

Daria Nuzhnaya, who graduated from Strelka Institute in 2011, talks about what she does now.

I can clearly recall the moment I made the decision to enroll into Strelka Institute. It was autumn 2009, a round-table on the creativity of cities. Ilya Oskolkov-Tsentsiper took part in it; at one point he started speaking about his project of a new architecture school. It was so fresh and new that I felt like becoming part of it.

Strelka definitely pushed the boundaries of my perception and changed my understanding of the world. It feels like I acquired a special mental instrument to help me scan the environment, constantly observe the city and people in it. Strelka opened new opportunities for me, gave me liberty and honesty of choice.

My research was part of the Public Space research theme, it was devoted to street art. The topic is so huge that it moved on to the second year of studies, to the “Urban Culture” theme.

The results of our studio’s research, if published, can easily become a well-seller. It could be of interest to anyone — from citizens and tourists to architects and urbanists. Why? Because such a publication can provide a lot of new and useful information on the city. 

At present I work at the “Interior + Design” magazine; I am in charge of the “Architecture” department. I always wondered how they made magazines and how everything worked there. In particular, I deal with publishing architectural design projects. And since I am an architect myself, I am interested in each and every detail of the projects that we work with.

Shooting a building is quite an event. It is also a master class that the architect who created the building conducts for me. He or she talks in detail of the ideas they implemented, the materials they used. I can learn everything at first hand. 

 

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